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NENI WEISS
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ALLIANZ - DOCUMENTURY
ALLIANZ - DOCUMENTURY
ALLIANZ - DOCUMENTURY
ALLIANZ - DOCUMENTURY
ALLIANZ - DOCUMENTURY
The film is part of Allianz’s global World Run program, in which employees and participants across continents support social projects through collective running distances. For this piece, Allianz accompanies Sydney Bailey as she visits Quito, a city shaped by the constant presence of seismic activity.
The film is part of Allianz’s global World Run program, in which employees and participants across continents support social projects through collective running distances. For this piece, Allianz accompanies Sydney Bailey as she visits Quito, a city shaped by the constant presence of seismic activity.
I was responsible for assembling the wide range of material into a clear, accessible storyline. My editing approach focused on structuring the content in a way that highlights key moments and information without overshadowing the real-life context. I developed a clean visual rhythm that helps the audience follow the narrative with ease. For the audio, I created a precise mix of ambient sound and music, ensuring that each element remains distinct.
The film is part of Allianz’s global World Run program, in which employees and participants across continents support social projects through collective running distances. For this piece, Allianz accompanies Sydney Bailey as she visits Quito, a city shaped by the constant presence of seismic activity.
I was responsible for assembling the wide range of material into a clear, accessible storyline. My editing approach focused on structuring the content in a way that highlights key moments and information without overshadowing the real-life context. I developed a clean visual rhythm that helps the audience follow the narrative with ease. For the audio, I created a precise mix of ambient sound and music, ensuring that each element remains distinct.
The film is part of Allianz’s global World Run program, in which employees and participants across continents support social projects through collective running distances. For this piece, Allianz accompanies Sydney Bailey as she visits Quito, a city shaped by the constant presence of seismic activity.
I was responsible for assembling the wide range of material into a clear, accessible storyline. My editing approach focused on structuring the content in a way that highlights key moments and information without overshadowing the real-life context. I developed a clean visual rhythm that helps the audience follow the narrative with ease. For the audio, I created a precise mix of ambient sound and music, ensuring that each element remains distinct.
I was responsible for assembling the wide range of material into a clear, accessible storyline. My editing approach focused on structuring the content in a way that highlights key moments and information without overshadowing the real-life context. I developed a clean visual rhythm that helps the audience follow the narrative with ease. For the audio, I created a precise mix of ambient sound and music, ensuring that each element remains distinct.
The film is part of Allianz’s global World Run program, in which employees and participants across continents support social projects through collective running distances. For this piece, Allianz accompanies Sydney Bailey as she visits Quito, a city shaped by the constant presence of seismic activity.
I was responsible for assembling the wide range of material into a clear, accessible storyline. My editing approach focused on structuring the content in a way that highlights key moments and information without overshadowing the real-life context. I developed a clean visual rhythm that helps the audience follow the narrative with ease. For the audio, I created a precise mix of ambient sound and music, ensuring that each element remains distinct.